Inventor: All highly successful entrepreneurs have as their main desire the wish to leave a mark on the world. Highly successful entrepreneurs are unique in that whenever they see a solution to a problem, they implement that idea. All other people see solutions to problems but are too interested in leisure time or job security to always have the motivation to implement their ideas.

Summary

The stimulus can be diagrammed as follows:

Notable Valid Inferences

People who implement the solutions that they see whenever they detect them have as their main desire the wish to leave a mark on the world.

A
Most people do not want to leave a mark on the world because trying to do so would reduce their leisure time or job security.

Could be false. The stimulus does not discuss quantities, so we cannot infer what “most people” don’t want.

B
All people who invariably implement their solutions to problems have at least some interest in leisure time or job security.

Could be false. We don’t know anything about how interested in leisure time or job security the invariable problem solvers are.

C
The main desire of all people who implement solutions whenever they detect them is to leave a mark on the world.

Must be true. As shown below, implementing solutions whenever one detects them is a sufficient condition for having one’s main desire be to leave a mark on the world.

D
Generally, highly successful entrepreneurs’ interests in leisure time or job security are not strong enough to have a negative impact on their ability to see solutions to problems.

Could be false. From the stimulus, we just know that when highly successful entrepreneurs see solutions, they implement the solutions. We don’t know anything about how often they see solutions, or what factors influence their ability to see solutions.

E
All people whose main desire is to implement their solutions to problems leave a mark on the world.

Could be false. The stimulus discusses people who implement their solutions, not people whose main desire is to implement their solutions. Similarly, the stimulus discusses those whose main desire is to leave a mark on the world, not those who actually leave a mark.


29 comments

That Shakespeare’s The Winter’s Tale (1610–1611) is modeled after Euripides’ Alcestis (fifth century B.C.) seems undeniable. However, it is generally accepted that Shakespeare knew little or no Greek, so Euripides’ original play would be an unlikely source. Thus, it seems most likely that Shakespeare came to know Euripides’ play through a Latin translation.

Summarize Argument: Phenomenon-Hypothesis

The author hypothesizes that Shakespeare probably learned about Euripedes’ play through a Latin translation. This is based on the fact that Shakespeare knew little or no Greek, which suggests he didn’t read the original version of Euripedes’ play.

Notable Assumptions

The author assumes that Shakespeare didn’t learn about the play through a translation in another language, such as English. The author also assumes that Shakespeare learned about Euripedes’ play through a translation, as opposed to learning about the play through a conversation or through other kinds of communiation with people who knew about the play. The author also assumes that Shakespeare could read Latin.

A
Latin phrases that were widely used in England during Shakespeare’s time appear in a number of his plays.

This doesn’t suggest that Shakespeare knew Latin. If the phrases were widely used, that suggests he may have simply used phrases that came to be part of general parlance. (Think about a phrase like “schadenfreude” - you may know what this means without knowing German.)

B
The only English language version of Alcestis available in Shakespeare’s time differed drastically from the original in ways The Winter’s Tale does not.

This provides evidence against the theory that Shakespeare learned about Euripedes’ play through an English translation.

C
Paul Buchanan’s 1539 Latin translation of Alcestis was faithful to the original and widely available during the 1600s.

This strengthens by affirming that there was in fact a Latin translation of Euripedes’ play in existence at the time Shakespeare wrote The Winter’s Tale.

D
Shakespeare’s father’s community standing makes it probable that Shakespeare attended grammar school, where Latin would have been a mandatory subject.

This strengthens by providing evidence that Shakespeare knew Latin.

E
There is strong evidence to suggest that Shakespeare relied on Latin translations of Greek plays as sources for some of his other works.

This strengthens by showing that there is precedent for the idea that Shakespeare was influenced by Latin translations of Greek plays.


54 comments

In the winter, ravens survive by eating carcasses; in fact, an individual raven may survive for weeks on one carcass. Yet, according to many reports, ravens will often recruit more ravens to help eat a carcass. This seemingly altruistic behavior struck Bernd Heinrich as being worthy of investigation. He set up observation blinds from which he had a clear view of an open meadow in which he placed meat. He found that the mated pair of ravens in whose territory the meadow was located laid exclusive claim to the meat; so, to avoid starvation, juvenile ravens—who do not yet have territories—had to assemble in groups large enough to drive the resident pair away from the meat.

There were many reports that ravens often recruit more ravens to help eat a carcass. This is counterintuitive, because it seems strange that a raven would be altruistic. Heinrich investigated this phenomenon. He observed a meadow where a mated pair of ravens laid exclusive claim to meat placed by Heinrich. Juvenile ravens had to group up to drive the mated pair away from the meat. (The implication is that ravens might share a carcass not out of altruism, but out of self-interest. The ravens might need to group up in order to access food.)

Describe Method of Reasoning
Heinrich investigated reports of ravens sharing a carcass. He found that this phenomenon might be due to juvenile ravens needing to group up to help get access to food.

A
He proposed two alternative hypotheses, each of which would explain a set of observations.
Heinrich did not propose any hypotheses. We only get a description of his experiment and the results.
B
His investigation partially confirmed prior observations but led to a radical reinterpretation of those observations.
His investigation confirmed prior observations (ravens indeed recruit others), but led to a radical reinterpretation (the reason ravens recruit others is not altruism, but self-interest; they need to group up to help access food belonging to older ravens).
C
He proposed a theory and then proceeded to confirm it through observation.
We don’t get any theory proposed by Heinrich. If you consider “altruism” to be Heinrich’s theory, then (C) is wrong because Heinrich did not confirm that the ravens were altruistic.
D
He used different methods from those used in earlier studies but arrived at the same conclusion.
We do not know what kinds of methods were used in earlier studies, or whether there were earlier studies. So we don’t know Heinrich used different methods.
E
His investigation replicated previous studies but yielded a more limited set of observational data.
We do not know whether there were previous studies or anything about the observational data in those studies. So we don’t know whether Heinrich replicated any studies or had a more limited set of data.

7 comments

Although early jazz music featured a great deal of improvisation, this improvisation did not stray too far from the rather simple, catchy melodies upon which it was based. So, however interesting it may be, later music featuring improvisation that strays far from the melody ought not to be classified as jazz.

Summarize Argument
The author concludes that later music featuring improvisation that strays far from the melody should not be classified as jazz. This is because early jazz’s improvisation did not stray far from the melodies.

Notable Assumptions
The author assumes that straying far from the melody is a determining factor in whether something should be classified as jazz. (This overlooks the possibility that there may be other features about the later music that should justify classifying it as jazz.)

A
For a piece of music to be classified as jazz, it must feature some amount of improvisation.
The author never suggested that jazz cannot have improvisation. The issue is whether that improvisation strays far from the melody. The author thinks if it does, it shouldn’t be classified as jazz.
B
The later music featuring improvisation was heavily influenced by early jazz.
The author never suggested that the later music wasn’t heavily influenced by jazz. What the author cares about is the level of improvisation. We want to weaken the author’s assumption that straying far from the melody should prevent a music from being jazz.
C
Some of the later music featuring improvisation was performed by artists who had been jazz musicians earlier in their careers.
The identity of the performers has no clear impact on whether music should be classified as jazz. Jazz musicians can perform non-jazz music.
D
Many types of music other than jazz feature a great deal of improvisation.
The author never assumed that only jazz contains improvisation. The issue is whether straying far from the melody should prevent a music from being classified as jazz.
E
The later music featuring improvisation has much more in common with early jazz than with any other type of music.
This suggests that if we are to classify the music based on similarities/differences, there’s no more reasonable option than classifying it as jazz. Other types of music are more different than early jazz is, even if the later music’s improvisation strays further from the melody.

37 comments

Art history professor: Costa criticizes my theories about the distinction between baroque and neoclassical Austrian painting. He argues that since there are no features possessed by all and only the works from a given historical period, assigning works of art to period styles is intellectually bankrupt. His reasoning can be discounted, however, since his own current theories on the transition from classical to romantic French opera also presuppose such an assignment.

Summarize Argument: Counter-Position
Costa argues that assigning works of art to period styles is intellectually bankrupt. He supports this view by asserting that there are no features possessed by all and only the works from a given historical period.
The author concludes that Costa’s reasoning can be discounted. This is based on the fact that Costa’s own theories assign works of art to period styles.

Identify and Describe Flaw
The author rejects Costa’s argument simply because Costa holds other views that seem to contradict it. Whether Costa holds contradictory views does not tell us anything about whether it makes sense to assign works of art to period styles. It’s possible for Costa to contradict himself, but for his initial argument to be correct.

A
The argument confuses a necessary condition for discounting a person’s reasoning with a sufficient condition for discounting a person’s reasoning.
The author doesn’t use conditional reasoning, so there isn’t a confusion of sufficient and necessary conditions.
B
The argument overlooks the possibility that theoreticians can hold radically different theories at different times.
The argument doesn’t overlook this possibility — it acknowledges that Costa seems to hold contradictory views. The flaw is the failure to recognize that holding contradictory views does not prove one of those views wrong.
C
The argument rejects the reasoning on which a criticism is based merely on the grounds that that very criticism could be applied to theories of the person who offered it.
The author rejects C’s reasoning based on the grounds that C’s criticism (that assigning works of art to period styles doesn’t make sense) could be applied to C’s own theories. This is a flaw, because holding contradictory views doesn’t establish one of those views is wrong.
D
The argument presumes, without providing justification, that what is true of art in general must also be true of every particular type of art.
(D) describes a whole-to-part fallacy. The author’s premise isn’t a statement about art generally. The author’s conclusion is not an attempt to apply a feature of art in general to every type of art.
E
The argument presumes, without providing justification, that theories about one type of art cannot be compared to theories about another.
The author does not assume that theories about one art cannot be compared to theories about another art. In fact, the author seems to think Costa’s argument concerning baroque and neoclassical Austrian painting is relevant to theories on French opera.

11 comments

It is morally praiseworthy to be honest only if one is honest out of respect for morality. Strictly speaking, therefore, Downing did not act in a manner worthy of such praise when he told the judge the truth about his business partner’s fraudulence. Downing was motivated by concern for his own well-being—even though what he did was certainly honest.

Summary
The author concludes that Downing did not act in a praiseworthy manner when he told the truth about his partner’s fraud. This is based on the following:
Downing was motivated by concern for his own well-being.
In order for it to be morally praiseworthy to be honest, it is necessary that the honesty be done out of respect for morality.

Missing Connection
We know from the premises that if one’s honesty is not motivated by respect for morality, one does not deserve praise for that honesty. So in theory we could conclude that Downing did not act in a way that deserves praise...as long as we know he was not motivated by respect for morality.
Another premise tells us that Downing was motivated by self-concern. Does this guarantee that he was not motivated by respect for morality? Not necessarily, since someone can have multiple motivations. To make this argument valid, then, we want to establish that if someone’s motivation is self-concern, then they cannot also be motivated by morality.

A
An action motivated by concern for oneself cannot be deserving of moral condemnation.
We want to know that actions motivated by self-concern can’t be motivated by morality. (A) merely establishes that actions motivated by self-concern don’t deserve condemnation. This leaves open the possibility that Downing was still motivated by morality.
B
Some actions that are essentially honest are not morally praiseworthy.
Learning at least one (”some”) action that is honest isn’t morally praiseworthy does not prove that Downing’s action is not praiseworthy. The particular actions that are praiseworthy in (B) might refer to other actions. (Remember, this is a Suff. Assump. question. Not a MBT or MSS.)
C
An action performed out of respect for morality cannot also be an action motivated by concern for oneself.
(C) establishes that Downing’s action, which was motivated by self-concern, was not also motivated by morality. And this in turn proves that Downing’s action did not meet what’s necessary in order to be considered morally praiseworthy.
D
The moral praiseworthiness of an action can be judged only according to standards that refer to the circumstances of the person acting.
(D) doesn’t establish that Downing’s action was not motivated by morality. So it leaves open the possibility that Downing’s action can be morally praiseworthy.
E
Morality demands that one be honest, even in cases where this could be detrimental to one’s own well-being.
(E) doesn’t establish that Downing’s action was not motivated by morality. So it leaves open the possibility that Downing’s action can be morally praiseworthy.

8 comments