A
Large warm-blooded animals keep their core body temperature slightly higher than the body temperature in their limbs.
B
The fossilization process introduces changes to bones such that their original oxygen isotope ratios cannot be predicted.
C
Oxygen was more abundant in Earth’s atmosphere during the period in which the dinosaurs lived.
D
Small warm-blooded animals like mice tend to have more uniform body temperatures than do large warm-blooded animals like elephants.
E
Warm-blooded animals are more active and use more oxygen than cold-blooded animals.
Actors generally learn their lines by focusing on the meanings of the words, the motivations of the characters uttering them, and the physical and emotional dimensions of their own performances. It seems likely that memory can be enhanced by factors such as emotion, action, and context, so this approach is probably more effective than mere rote memorization.
Summarize Argument: Phenomenon-Hypothesis
The author concludes that actors learn lines more effectively by focusing on the meanings, motivations, and physical and emotional aspects of performance, rather than simply using rote memorization. She supports this by hypothesizing that factors like emotion, action, and context can likely improve memory.
Notable Assumptions
The author assumes that, because factors like emotion, action, and context can likely improve memory generally, they also likely improve memory in the context of learning lines. She also assumes that the actors’ approach is more effective than rote memorization without considering any potential benefits of rote memorization.
A
Test subjects are best able to remember items on a shopping list when they are also told how those items will be used.
This strengthens the argument by providing data to support the hypothesis that context improves memory. This then strengthens the conclusion that contextualization is an effective approach to learning lines.
B
The actors who are able to deliver the greatest amount of dialogue most effortlessly are those who have spent the most time learning their lines.
This does not strengthen the argument because it doesn’t address the memorization method used. We don’t know if the actors in (B) used the author’s described approach, rote memorization, or another method.
C
Actors are more readily able to remember lines learned while making an appropriate motion—for example, walking across a stage—than lines learned without an accompanying action.
This strengthens the argument because it provides an example that supports the hypothesis that emotion, action, and context can improve memory. If actors memorize better by linking lines to actions, the author’s conclusion that this is an effective approach is much stronger.
D
People who try to memorize information by imagining that they are conveying it to somebody else who needs the information show higher retention than those who try to memorize the material by rote.
This strengthens the argument by providing an example in which memorization that involves emotion, motivation, and contextualization is more effective than rote memorization.
E
People with no acting experience are able to memorize and deliver lines from a play more accurately after they have read and understood the entire play.
This strengthens the argument by showing that line-learning is enhanced by understanding the context of a play. This supports the hypothesis that context improves memory and thus also supports the conclusion that this is an effective approach to learning lines.

Temporal art forms are not truly visual.
Truly visual art forms are not temporal.
Truly visual art forms do not require performance
Most art forms are not truly visual.
A
Truly visual art forms do not essentially involve performance.
B
Poetry is less like music than it is like painting.
C
Spatiality and temporality are mutually exclusive components of art forms.
D
Art forms that must be examined for an extended period of time in order to be understood are essentially temporal.
E
Anything capable of being performed is either musical or poetic, or both musical and poetic.

A
The scientists did not accurately measure the hull’s dimensions because they had no experience measuring hulls.
B
The scientists accurately determined the hull’s dimensions, provided that they leveled the hull.
C
If the scientists did not accurately determine the hull’s dimensions, it was because they did not have a line level.
D
The scientists were able to accurately record the hull’s dimensions only if they used a line level.
E
If the scientists had measured the hull’s dimensions accurately, then at least one of them would have had experience measuring hulls.